Film Reviews
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True Women |
True Women is a sweeping saga of love, war and adventure. Spanning five decades from the Texas Revolution through the Civil War, Reconstruction and beyond, True Women is the story of the love, friendship, survival and triumphs |
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Blood Surf |
A sleazy producer develops a concept he dubs "blood surfing" -- tossing bloody fish remains into the water to lure sharks and then surfing through the animals as they chomp about. Along with his camerawoman, the producer brings two thrill-seeking surfers to the coast of Florida to capture some gnarly footage. But, as they blood surf, they encounter something even more deadly: a colossal prehistoric crocodile intent on devouring them. |
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Marathon: The Patriots Day Bombing |
Recounts the dramatic story of the April 2013 terrorist attack at the Boston Marathon through the experiences of individuals whose lives were affected. Ranging from the events of the day to the death-penalty sentencing of Dzhokhar Tsarnaev, the film features surveillance footage, news clips, home movies and exclusive interviews with survivors and their families, as well as first responders, investigators, government officials and reporters from the Boston Globe, which won a Pulitzer Prize for its coverage of the bombing. In the wake of terrorism, a newlywed couple, a mother and daughter, and two brothers - all gravely injured by the blast - face the challenges of physical and emotional recovery as they and their families strive to reclaim their lives and communities. |
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The Chorus |
Set in 1940's France, a new teacher at a school for disruptive boys gives hope and inspiration. |
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L.627 |
Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by the rules or kowtow to his weak and/or corrupt superiors. Lulu thrives in this violent world, where sheer guts can overcome his squad's deficiencies of money and equipment. Despite the ruthless environment that he lives and works in every day, he still manages somehow to maintain his humanity. |
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The Rise and Fall of a Jungle Giant |
A behind-the-scenes look at the building of the bridge in the film The Bridge on the River Kwai (1957) and the preparations for its destruction. |
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2033 |
In 2033, Mexico City is a hot, mechanical and chaotic megacity ruled by the military and a tyrannical government. It is an oppressed society with its religious faith and liberty of expression stolen. Pablo, the main character, is a young finantial yuppie that gets shelter in drugs and alcohol. He leaves his privileged life in order to help the unprotected and destroy the system that controls the population. |
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Circus |
Bruno, a sadistic criminal, wants clever con man Leo out of the way. Leo and his equally clever wife, Lily, are up to something. So too is Julius: he hires Leo to kill Gloria, Julius's wife. Leo does it, but then Julius shows up with the murder on tape, saying Gloria isn't his wife - it's blackmail. Leo's bookie, Troy, is also closing in, wanting to be paid. Bruno and Lily as well as Bruno and Julius have their own scams running, and Leo is their target. Maybe Leo can get Troy off his back, avoid Moose (Bruno's huge enforcer), send Gloria's corpse out of England, turn the tables on Bruno's murderous brother Caspar, and outfox Lily. Or is Lily his fox? It's a three-ring circus. |
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Train |
This new Train tells the tale of an American wrestling team who board a train that just so happens to be used as a supermarket for organ harvesters. |
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Out 1: Spectre |
Out 1: Spectre begins as nothing more than scenes from Parisian life; only as time goes by do we realize that there is a plot—perhaps playful, perhaps sinister—that implicates not just the thirteen characters, but maybe everyone, everywhere. Real life may be nothing but an enormous yarn someone somewhere is spinning... |
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This Film Is Not Yet Rated |
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence. |
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The Red Inn |
A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving poisoned soup to the guests, to rob their possessions and to bury them in the backyard. The story unfolds as the monk tries to save the guest's lives without violating the holy secrecy of the confession. |
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Stranger Than Paradise |
Rootless Hungarian émigré Willie, his pal Eddie, and visiting sixteen-year-old cousin Eva always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb. |
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Wild |
A woman with a tragic past decides to start her new life by hiking for one thousand miles on the Pacific Crest Trail. |
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The Last Trapper |
Norman is not just an admirer of nature, he's a part of it. He survives the harshness of the climate and the wildlife by coexisting with it. With his wife Nebraska, they live almost entirely off the land, making money by selling their furs. |