Film Reviews

From Paris to Venice to Broadway to Hollywood, the lives of Cole Porter and his wife, Linda were never less than glamorous and wildly unconventional. And though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest sons of the twentieth century.

In the spring of 1939, Gilbert and Eleanor Kraus embarked on a risky and unlikely mission. Traveling into the heart of Nazi Germany, they rescued 50 Jewish children from Vienna and brought them to the United States.

A television program is interupted by a news network announcing that three meteors have hit the United States, France and China. At first it seems natural but after interviews by scientists and eyewitness seems to suggest that it is not. Three more meteors are coming and the various Earth governments combine forces to stop them.

When paleontologist Kate Lloyd travels to an isolated outpost in Antarctica for the expedition of a lifetime, she joins an international team that unearths a remarkable discovery. Their elation quickly turns to fear as they realize that their experiment has freed a mysterious being from its frozen prison. Paranoia spreads like an epidemic as a creature that can mimic anything it touches will pit human against human as it tries to survive and flourish in this spine-tingling thriller.

A narrative feature film inspired by the events known as the Beltway sniper attacks.

The proceedings of a Paris courtroom are the grist for this documentary. Drawn from over 200 appearances before the same female judge, the director chooses a dozen or so varied misdemeanor and civil hearings to highlight the subtle details of human behavior. In the process he draws attention to issues of guilt, innocence, policing and ethnicity in France.

From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.

After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye Doust Kodjast? (1987). In their search, they found how people who had lost everything in the earthquake still have hope and try to live life to the fullest.

The story revolves around a remote village in Andhra Pradesh plagued by a strange disease killing a lot of people. The soothsayer of the village predicts that God would come to their village for rescue. Meanwhile, Raju (Mahesh Babu) a cab driver in Hyderabad goes to Rajasthan to handover an insurance cheque to a man's family who dies in his car. In a strange situation, Raju meets a man from the village and gets to know about their problem. Soon Raju realizes he is none other than the God-sent, the soothsayer predicted, and the rest of the story is all about how Raju takes up the responsibility to rescue the village from the clutches of evil.

A documentary about the rise of psychoanalysis as a powerful mean of persuasion for both governments and corporations.

Documentary footage (from the 1950's) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

The clerk at the train station is assaulted and left tied by four men, then they rob the train threatening the operator. (They) take all the money and shoot a passenger when trying to run away. A little girl discovers the clerk tied and gives notice to the sheriff, who at once goes along with his men hunting the bandits.

One day in the life of a hit man, Ronnie, who spends it trying to save the life of fellow hit man, August, who he had brought into the business three years ago. August has become a real problem for some of the bosses around town, and Ronnie will soon find out just what his Frankenstein's monster will cost him.

Low budget gang movie in which Diane Conti plays rebelious teen Terry who moves to Brooklyn from Manhattan and soon gets involved in a gang. She soon muscles her way to the top making enemies as she goes.

A love-struck landlord tries to convince a pretty tanant to dump her fiancé and give him a chance.